Wednesday 17th of April 2024

of romance...

cash

The majority of Mab Treeby’s known Bulletin cartoons, were drawn in the 1920s-early 1930s after she had moved to Sydney. They continued to feature smart society women making vapid wisecracks, eg ‘Kitty: “I’d hate it to ...

Read more: https://trove.nla.gov.au/people/1482621?c=people

 

You’re an octogenarian cartoonist. A twenty-two year old Miss World comes and sits on your knees. What do you do? What is happening?

— your name is Donald Trumpotsky. or...

— it’s Christmas, or...

— you are recognised by your missus despite your Father Christmas disguise at the local mall. You are going to cop it.

— you are woken up for the third time that night to go for a pee.

— a 22 year old Miss World is flirting with you!...

— your sciatica is killing you but you would not move for all the Bitcoins in the world...

— your bad eyesight betrayed you. It’s only the 250 pounds 63 year old widow living next door...

— you did not have time to remove your walking stick poking up between your knees....

         a) she’s happy to see you...

         b) you spend the rest of your short life in prison for sexual abuse...

         c) you need two new titanium replacement knees...

— you already are in the local lalaland-retirement village and have no clue about anything.


Flirting... It has been my loony observation from my half-deck that it’s more women engendering the flirting than men. Men try to go to base as quickly as possible. Flirting has many layers of meaning and appearances. Women can indulge in teasing — testing their own value while competing against other women. Men indulge in hormonal power-play and, apart from very few Adonises (many of them are gay), when seeing themselves in the mirror — that is when they really look at themselves apart from shaving — men see a flabby train wreck about to happen unless they have a lot of cash in the bank. Thus men can be dangerous when teased because they smell a rat after their cash, or spot an easy quickie pushover. More often than not, non-fortunate men are shy and perplexed on why they are the one being “picked” (on) by flirty women. Do these men look honest and charmingly faulty, rather than “attractive”? Give the men a beer or some red ned and their brains go “pop”. The mini-skirts are disturbing their neurones. All good.


Men will do what they think they can get away with.” ? to a point. Not all men despite what Mona Charen tells us from her female point of view: 


Somewhere in our lizard brains, we admire the strongmen, and yes, that means you ladies. Every woman who is drawn to the “bad boy” or the “leader of the pack” is expressing a primitive preference that has never been quite squelched. So, when it comes to oafs like Al Franken and (insert your favorite reprobate here) and people ask, “How could he behave that way?” The answer has to begin with — men will do what they think they can get away with. 

And for the last several decades, in matters of sex, it has been more or less anything goes


Meanwhile, clamouring for the end of flirting could be seen as clipping one of the tools towards developing “love”. There needs to be some delicate interaction of understanding — otherwise may as well go the full religious hog and get "our parents to choose a bride for us". Actors are at a disadvantage here because most of them have learnt to act “the situation” and play acting could be perceived as real play acting. Many romantic movies are designed to awkwardly or otherwise stimulate “the situation”. Mona continues:


Others are worried that flirting and office romances may be considered out of bounds in the current climate. Cathy Young notes that a tweet by the singer-songwriter Marian Call telling men “how happy women would be if strangers & co-workers never ‘flirted’ with us again” became an Internet sensation for a day or two. I don’t speak for Call or the thousands who retweeted her, but it sure seems like the quotation marks around the word flirt were key. 


But then:


The men who are receiving much-deserved comeuppance right now were not flirting. Showing a woman pornography is not a come on. Grabbing her by the hair and force kissing her is caveman stuff, not a hint of admiration. These high-profile slobs were doing what they thought they could get away with. 


Most men, I hope (and I bet most women hope) still know how to flirt without being offensive. Because if we’re going to embark on building some sort of counter counterculture, it’s going to have to target grossness, not romance.


Mona Charen is a senior fellow at the Ethics and Public Policy Center. 

Read more at: http://www.nationalreview.com/article/454447/sexual-harassment-allegatio...


So where to now?... I have this little nest-egg...

of flirting, the first steps...

of girls...

Early 20th century cartoonist. Burleigh is an anomaly in the world of cartooning, especially at the Bulletin, due to being a woman. Her last known cartoons were published in ‘Aussie’ in 1934.

BBB, cartoonist, was a regular Bulletin contributor in the 1920s and early 1930s. She may also be Bertha Nind , who contributed cartoon/s to the Bulletin in 1919 [?]. The earliest works signed by Burleigh, either in full or as ‘BBB’, are hysterically anti-Labor and anti-American cartoons of 1921. What makes them unique is their being political cartoons by a woman, still a rare phenomenon, especially in the Bulletin . They include Women and Children First (showing them being hacked to bits by a blindfold ‘Labor’ with an axe labelled ‘Strikes’) 31 March 1921, 8; Call off the Dogs (allegorical young male Australia being torn to pieces by dogs/wolves labelled ‘strikes’, ‘loans’, ‘waste’, with ‘disease’ in the background) 5 May 1921, 8; and The New Devilfish (Octopus dollaris) 10 November 1921, 8 – encircling the world. Then BBB contributed social cartoons to Aussie for 12 years, e.g. a quite stylish drawing of young women paddling with a couple in the distance – ‘Elsie: “So Jack is engaged, is he? And is Fanny the bride-to-be?”/ Gladys: “Oh, no; she’s the tried-to-be”’ (14 January 1922, 9). The majority of her cartoons are about contemporary society and most appeared in the Bulletin . Early ones were drawn in a naturalistic style and include The Limit . ‘One: “I wish you would introduce me to Mr Slideaway.”/ The other: “Impossible, my dear. Why, he’s that scared ...

Read more:

https://trove.nla.gov.au/people/1486345?c=people

 

See also: 

reviving the fight in the aussie press...

wondawoman's fury...

In April 1941, just a few short years after Superman came swooping out of the Manhattan skies, Miss Fury — originally known as Black Fury — became the first major female superhero to go to print. 

She beat Charles Moulton Marsden's Wonder Woman to the page by more than six months. More significantly, Miss Fury was the first female superhero to be written and drawn by a woman, Tarpé Mills.

Miss Fury's creator — whose real name was June — shared much of the gritty ingenuity of her superheroine.

Like other female artists of the Golden Age, Mills was obliged to make her name in comics by disguising her gender. As she later told the New York Post, "It would have been a major let-down to the kids if they found out that the author of such virile and awesome characters was a gal."

Yet, this trailblazing illustrator, squeezed out of the comic world amid a post-WW2 backlash against unconventional images of femininity and a 1950s climate of heightened censorship, has been largely excluded from the pantheon of comic greats — until now.

Comics then and now tend to feature weak-kneed female characters who seem to exist for the sole purpose of being saved by a male hero — or, worse still, are "fridged", a contemporary comic book colloquialism that refers to the gruesome slaying of an undeveloped female character to deepen the hero's motivation and propel him on his journey.

But Mills believed there was room in comics for a different kind of female character, one who was able, level-headed and capable, mingling tough-minded complexity with Mills' own taste for risqué behaviour and haute couture gowns.

Where Wonder Woman's powers are "marvellous" — that is, not real or attainable — Miss Fury and her alter ego Marla Drake use their collective brains, resourcefulness and the odd stiletto heel in the face to bring the villains to justice.

And for a time they were wildly successful.

Miss Fury ran a full decade from April 1941 to December 1951, was syndicated in 100 different newspapers at the height of her wartime fame, and sold a million copies an issue in reprints released by Timely (now Marvel) comics.

Fighter pilots painted Miss Fury on the fuselage of bomber planes. Young girls played with paper doll cut outs featuring her extensive high fashion wardrobe.

 

Read more:

https://www.abc.net.au/news/2019-02-05/miss-fury-the-most-famous-superhe...

 

 

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